As with my last review subject, if you’re in the market for Larry Correia’s Monster Hunter: Nemesis, you probably already know you’re going to like it. Though maybe not as much as the previous Monster Hunter outings; the author tries for a change of tone in this book, not entirely successfully.
Category Archives: Review
Review: The Rods and the Axe
If you’re in the target market for Tom Kratman’s The Rods and the Axe (Baen) you probably already know you’re going to like it. Though nominally SF, this is in reality pretty straight-up military fiction. Bimpty-bumpth in his continuing series on the wars of Patrick Carrera on the colony world of Nova Terra, it delivers Kratman’s usual goods.
Review: Right to Know
There are many kinds of bad SF out there. One of the subtler kinds is written with enough competence that it might be good if the author had any original ideas, but reads like a tired paste-up of familiar genre tropes and plot twists that an experienced reader can see coming a light-year off.
Edward Willett’s Right To Know (Diamond Book Distributors) is such a novel. Oppressive society on a decaying generation starship! Plucky, desperate resistance! Planetfall where humans with FTL drives got there ahead of them! Earth has mysteriously vanished! Fanatical planetside cultists mistake our hero for their messiah! Head of the Resistance is the Captain’s daughter! (That last one would only be an actual spoiler if you’re thick as neutronium, because it’s telegraphed with about the subtlety of a brick upside the head.)
Review: Extreme Dentistry
Fearless monster killers have been a very popular trope in SF and fantasy lately, in a trend perhaps best exemplified by Larry Correia’s Monster Hunter sequence but extending to the dozens of nigh-interchangeable Buffy clones in leather clogging the Urban Fantasy subgenre lately. Hugh A. D. Spencer’s Extreme Dentistry seems to have been intended as a dark and mordantly funny satire of this sort of thing, and succeeds.
Review: Child of a Hidden Sea
The orphan discovering that her birth family hails from another world is an almost hoary fantasy trope – used, for example, in Charles Stross’s Family Trade novels. What matters in deploying it is how original and interesting you can be once you have set up the premise. A.M. Dellamonica’s Child of a Hidden Sea averts many of the cliches that usually follow, and delivers some value.
Review: The White List
Nina D’Aleo’s The White List (Momentum Books) is a strange combination of success and failure. The premise is preposterous, the plotting is perfunctory – but the prose is zippy and entertaining and the characters acutely observed.
Review: Sea Without A Shore
I’m not, in general, a fan of David Drake’s writing; most of his output is grimmer and far more carnographic than I care to deal with. I’ve made an exception for his RCN series because they tickle my fondness for classic Age-of-Sail adventure fiction and its pastiches, exhibiting Drake’s strengths (in particular, his deep knowledge of history) while dialing back on the cruelty and gore.
Review: 1636: Commander Cantrell in the West Indies
The Ring Of Fire books are a mixed bag. Sharecropped by many authors, ringmastered by Eric Flint, they range from plodding historical soap opera to sharp, clever entertainments full of crunchy geeky goodness for aficionados of military and technological history.
When Flint’s name is on the book you can generally expect the good stuff. So it proves in the latest outing, 1636: Commander Cantrell in the West Indies, a fun ride that’s (among other things) an affectionate tribute to C.S. Forester’s Hornblower novels and age-of-sail adventure fiction in general. (Scrupulously I note that I’m personally friendly with Flint, but this is exactly because he’s good at writing books I like.)
Zero Marginal Thinking: Jeremy Rifkin gets it all wrong
A note from the publisher says Jeremy Rifkin himself asked them to ship me a copy of his latest book, The Zero Marginal Cost Society. It’s obvious why: in writing about the economics of open-source software, he thinks I provided one of the paradigmatic cases of what he wants to write about – the displacement of markets in scarce goods by zero-marginal-cost production. Rifkin’s book is an extended argument that this is is a rising trend which will soon obsolesce not just capitalism as we have known it, but many forms of private property as well.
Alas for Mr. Rifkin, my analysis of how zero-marginal-cost reproduction transforms the economics of software also informs me why that logic doesn’t obtain for almost any other kind of good – why, in fact, his general thesis is utterly ridiculous. But plain common sense refutes it just as well.